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Building on the success of the last three editions, this textbook provides both undergraduate and postgraduate students with an accessible and comprehensive introduction to corporate governance. As a renowned expert in the field, Mallin draws upon theory and practice to address the latest global developments and uses topical examples to help students place key theories in context.

Adopting an international approach, this fourth edition has been thoroughly revised to reflect the changes in codes (e.g. UK CG code and Stewardship code) and a greater emphasis has been given to the perspective of stakeholders as well as increased coverage of the Middle East, and new analysis of topics such as bonuses and the high pay commission.

The book is accompanied by an Online Resource Centre which includes:

For students: Fill in the blank questions, updates, web links, crosswords of key terms and an author's blog

For lecturers: PowerPoint presentations

• Sales Rank: #1655267 in Books
• Brand: Brand: Oxford University Press, USA
• Published on: 2013-02-07
• Original language: English
• Number of items: 11
• Dimensions: 7.40" h x .90" w x 9.60" l, 1.52 pounds
• Binding: Paperback
• 384 pages

Features

• Used Book in Good Condition

About the Author
Christine Mallin is Professor of Corporate Governance and Finance and Director of the Centre for Corporate Governance Research at Birmingham Business School, University of Birmingham.

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0 of 3 people found the following review helpful.
Five Stars
By Sina Liu
Text book

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• Sales Rank: #8454077 in Books
• Published on: 1969-11-01
• Released on: 1969-11-01
• Original language: English
• Dimensions: 5.00" h x 1.00" w x 7.00" l,
• Binding: Mass Market Paperback

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[Z281.Ebook] Download Ebook Horse Nations: The Worldwide Impact of the Horse on Indigenous Societies Post-1492, by Peter Mitchell

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The Native American on a horse is an archetypal Hollywood image, but though such equestrian-focused societies were a relatively short-lived consequence of European expansion overseas, they were not restricted to North America's Plains.

Horse Nations provides the first wide-ranging and up-to-date synthesis of the impact of the horse on the Indigenous societies of North and South America, southern Africa, and Australasia following its introduction as a result of European contact post-1492. Drawing on sources in a variety of languages and on the evidence of archaeology, anthropology, and history, the volume outlines the transformations that the acquisition of the horse wrought on a diverse range of groups within these
four continents. It explores key topics such as changes in subsistence, technology, and belief systems, the horse's role in facilitating the emergence of more hierarchical social formations, and the interplay between ecology, climate, and human action in adopting the horse, as well as considering how far
equestrian lifestyles were ultimately unsustainable.

• Sales Rank: #2242301 in eBooks
• Published on: 2015-03-26
• Released on: 2015-03-26
• Format: Kindle eBook

Review
As well as offering a template for the melding of historical, anthropological and archaeological data, methods and perspectives, Horse Nations is a substantial contribution to the study of borderland environments, middle grounds and hybrid societies. It is also a major addition to the field of horse history Times Literary Supplement, Peter Coates essential reading for all those interested in the study of human-animal relations, offering valuable access to documentary, iconographic, and bibliographic sources taken from colonial and contemporary history, archaeology, and anthropology. Messias Basques, Current Anthropology a long awaited work that fills a significant lacuna in equine literature. The book adeptly mines an abundance of relevant, but often previously unrecognized, geographic, archaeological, ethnographic and historical references to reconstruct the complex conditions that grew out of the appearance of the horse in North and South America, South Africa and Australasia from the late 15th century on. Eloquently woven, the story unfolds in a captivating manner that expertly leads the reader through the tangled web of history like a native guide through a rainforest ... this volume certainly will not disappoint. It has the ingredients to become an oft-referenced guide for historic periods in which the horse burst out of Eurasia and surprised countless indigenous peoples with its peculiar looks and amazing swiftness. It shall, no doubt, earn a favorite spot in the libraries of equine experts and enthusiasts internationally. Sandra L. Olsen, Journal of African Archaeology Horse Nations provides the first in-depth synthesis of the impact that horses had on indigenous groups located on the periphery of European colonialismin the post-1442 period ... presents interesting comparative fodder for researchers studying the adoption of new commodities or domesticates from any time period and also to those interested in exploring the diverse ways indigenous societies interacted with colonial processes. Sarah Newstead, Medieval Archaeology

About the Author

Peter Mitchell, Professor of African Archaeology, University of Oxford

Peter Mitchell is Professor of African Archaeology and Fellow at St. Hugh's College, Oxford, and Honorary Research Fellow at the University of the Witwatersrand in South Africa.

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2 of 2 people found the following review helpful.
By far the best available history of native peoples adapting to and incorporating horses into their cultures.
By lyndonbrecht
This is the best available book on this subject. Yes, it is an academic study (each chapter is followed by a notes section), but I find the writing to be quite good and the whole book well-written and an extremely informative read. The book has many illustrations, some of them rare period photos, and some of the black and white photos of representative landscapes were a bit blurry and not so useful. There's a nice section of color plates, as well. The author's overall approach is to blend history (drawn partly from contemporary accounts, a particularly rich source for the Southern Cone), ethnography and archaeology into his narrative.

I would quibble a little with the title. The book is only nominally "worldwide" because two "continent" sections are brief. He looks at Australia, South Africa and New Zealand rather quickly, with the main portion of the book on North and South America. The South African section has a too cursory account of the fascinating story of how some groups became mounted and in effect formed a new people (much as happened in areas of the Americas). Perhaps that will be another book.

In the long portion about North America, he discusses particular areas, quite varied in responses to horses and in ecosystem (he gets a bit into how horses altered these, not enough covered for my taste). These include the Southern plains, the Great Basin, the Pacific Northwest and California. Not all readers will agree, but I found the section on the Comanches the best, and found his comparison between the Metis (Canadian) and the Comancheros (New Mexican) to be especially interesting.

In the equally long portion about South America, he covers in most detail Guajira (a peninsula in Venezuela with an especially formidable mounted people called the Wayuu, who remained independent until nearly 1900. He also covers in great detail the Chaco region (centering on what is now Paraguay) and the Pampas area. The detail is excellent and the accounts of the various people are the best I have read (I don't read Spanish, so there are probably superb accounts I am unaware of).

He covers in all several dozen peoples. One aspect is that the encounter with horses altered old systems in many ways and in effect produced new ethnicities from the old (much the same happened elsewhere; see the work of Richard White on the Great Lakes region of the US, fore example).

The book has an interesting list of tribal names as they were known to English and Spanish speakers, and the words they use to identify themselves.

0 of 3 people found the following review helpful.
Scintilating topic, poor book
By B. Kling
This book has a great topic and it should have been tremendous. Instead it is pedantic and poorly written. The author would have been a great research assistant but the writing should have been left to someone with at least a little skill as an author and storyteller. It is written by one of those British academics who think commentaries on squabbles among academics are so so fascinating and quaint that they should receive more focus than the many stories of horse cultures, most of which are replaced with abstract categories and lists of poorly defined terms. I have no personal stake in any of this. Just a disappointed reader. Considering that it is an unusually expensive ebook it is best avoided.

1 of 5 people found the following review helpful.
Five Stars
By Charles M. Barksdale
I am waiting to read it now

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[K668.Ebook] PDF Ebook The VES Handbook of Visual Effects: Industry Standard VFX Practices and ProceduresFrom Brand: Focal Press

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Wisdom from the best and the brightest in the industry, this visual effects bible belongs on the shelf of anyone working in or aspiring to work in VFX. The book covers techniques and solutions all VFX artists, producers, and supervisors need to know, from preproduction, to digital character creation and compositing of both live-action and CG elements.

In-depth lessons on stereoscopic moviemaking, color management and digital intermediates are included, as well as chapters on interactive games and full animation authored by artists from EA and Dreamworks respectively. Written by 88 top leading visual effects practitioners and covering everything about visual effects  from pre-production, production, and post-production.

Simply a must-have book for anyone working in or wanting to work in the VFX industry.

A Note on the Kindle Version:
There are several images throughout chapters 3, 5, 6, and 7 that are not visible in the Kindle edition of this book due to rights restrictions.

Special Thanks
The completion of this book required the efforts of many hardworking, talented and dedicated people in order to help it become a reality. Accordingly, the VES and Focal Press would like to offer very special thanks to all of our team Captains and Co-Captains:

Chapter 1:       Michael Fink, Captain
                       Jacquelyn Ford Morie, Co-Captain

Chapter 2:       Scott Squires, Captain
                       Mat Beck, Co-Captain

Chapter 3:    Bill Taylor

Chapter 4:    John Root, Captain
                   Demian Gordon, Co-Captain

Chapter 5:    Rob Engle, Captain
                    Lenny Lipton, Co-Captain

Chapter 6:    Marshall Krasser, Captain

Chapter 7:    Kevin Rafferty, Captain

Chapter 8:    Richard Taylor, Captain
                    Habib Zargarpour, Co-Captain

Chapter 9:    Stephan V. Bugaj, Captain
                    Lyndon Barrois, Co-Captain

Chapter 10:   Dan Novy, Captain
                     Stephan V. Bugaj, Co-Captain

Additionally,  we would like to thank Ron Brinkmann and Lenny Lipton for the exhaustive efforts in compiling the Glossary

• Sales Rank: #907016 in Books
• Brand: Brand: Focal Press
• Published on: 2010-07-08
• Original language: English
• Number of items: 1
• Dimensions: 1.50" h x 7.50" w x 9.60" l, 4.00 pounds
• Binding: Paperback
• 948 pages

Features

• Used Book in Good Condition

Review

"The VES Handbook of Visual Effects offers a fine technical reference for any college-level collection strong in media technology. It surveys visual effects techniques and best practices learned from both research and practical applications, covering techniques for all VFX artists and producers and applying technical knowledge to industry standards. A 'must' for any involved in any aspect of visual effects production."---BookWatch

"According to Okun, it had been five years since the inception of the book and it took the last three to write and pull it together. What they have created is the definitive visual effects textbook for our times and there is no doubt that it will remain the bible for those laboring in our business for many years to come. If you're in the vfx, animation, gaming or production business in general, you've got to have this book. Not on your shelf, but in your hand as you commence each new project. It's the most definitive book on the market today."--Animation World Network Online

From the Back Cover

The Handbook of Visual Effects is the most complete depository for visual effects techniques and best practices available today. It is filled with hard facts and techniques learned from research, trial and error, and practical experience. Contained in these pages are the tricks, short cuts, lessons, best practices, and wisdom garnered throughout the history of visual effects. Wisdom from the best and the brightest in the industry, this visual effects bible belongs on the shelf of anyone working in or aspiring to work in VFX. The book covers techniques and solutions all VFX artists, producers, and supervisors need to know, from preproduction, to digital character creation and compositing of both live-action and CG elements.  In-depth lessons on stereoscopic moviemaking, color management, and digital intermediates are included, as well as chapters on interactive games and full animation authored by artists and experts. Written by 89 top leading visual effects practitioners and covering everything about visual effects from preproduction, production, and postproduction.  Simply a must-have book for anyone working in or wanting to work in the VFX industry.

 * Authoritative field guide from the renowned Visual Effects Society provides techniques and insight from the best of the best in VFX  * 4 color presentation and visuals from Hollywood feature films provide inspiration  * Learn additional skills from the bonus chapters available on www.VESHandbookofVFX.com

About the Author

Jeffrey A. Okun, a prominent Visual Effects Supervisor who has supervised high-profile visual effects-heavy feature films for over 30 years, is currently Chair of the Visual Effects Society (VES).

Susan Zwerman is a highly respected Visual Effects Producer who has been producing visual effects for more than 20 years. She is also a well-known seminar leader and author.

The Visual Effects Society (VES) is the entertainment industry’s only official organization representing the worldwide community of visual effects practitioners including supervisors, artists, producers, technology developers, educators, and studio executives. Its members contribute to all areas of entertainment from film, television, and commercials to music videos, games, and new media. VES strives to advance the art and science of visual effects through its many domestic and international events, screenings, and programs, highlighted by the annual VES Awards.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Industry Standard Indeed
By Sean Devereaux
Phenomenal collection of modern day procedures and "tricks" used in visual effects. There is no other single source available that covers our art and techniques more completely. The only way to acquire all this knowledge on your own would be decades experience. I highly recommend this book.

4 of 4 people found the following review helpful.
The VES Handbook of Visual Effects
By Mitchell Drain
Well it's about time! The VES Handbook is the definitive resource for anyone interested in the art, technology and business of visual effects. I will refer to it often. As one reviewer said, it will not help you finish a shot but that is not the point. This book gives the "how" and "why" of the ever-evolving visual effects industry. Every producer, director, supervisor or industry hopeful should get a copy. Most vfx artists will already know the techniques of their craft, but this handbook provides detailed explanations of every facet of the vfx pipeline and de-mystifies the processes for those who want a more comprehensive understanding of an industry that touches almost every film, commercial and television show produced today.

6 of 7 people found the following review helpful.
A bible of VFX info. Although too dense for beginners like me.
By Jeff Aski
I am not a visual effects artist, just your average Final Cut Pro editor. I wanted to know more about visual effects because I thought it would help me in other areas of filmmaking, such as writing, directing, and producing. Even though I don't plan on becoming a professional in this field, I find that it's always good to at least know that you don't know -- Ignorance is bad business.

This handbook packs in a lot of information. Most of which is over my head. It's very dense. Has a fair share of diagrams and pictures, but not enough for a beginner like me to fully grasp. I guess if I already had a visual effects or animation background, this handbook would make sense and basically be a reference guide for expanding on the practices and procedures of various types of projects.

If you are brand new to visual effects, prepare to be overwhelmed with content. I can't say that this book was really for me, but I give it 4 stars because I feel like it covers a lot of ground in it's field and could be a valuable resource for people already in the profession or want to be.

I, on the other hand, just wanted to get a taste of the complexities of VFX and now having read through this handbook, I know that I can't just open up Apple Motion 5 of After Effects CS5.5 and expect to do visual effects now that I have this book. NO no, I will hire a VFX professional.

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• Published on: 1900
• Binding: Hardcover

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